[vslist] New book on COLOUR PERCEPTION
Rainer Mausfeld
mausfeld@psychologie.uni-kiel.de
Wed Dec 10 11:56:00 2003
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COLOUR PERCEPTION - MIND AND THE PHYSICAL WORLD
Edited by Rainer Mausfeld, University of Kiel, Germany,=20
and Dieter Heyer, University of Halle-Wittenberg, Germany
Price: $ 110.00 EURO 93.00 (Hardback)
0-19-850500-0
Publication date: 6 November 2003
522 pages, 240mm x 168mm
Oxford University Press
A state of the art review of the field of colour and colour perception.
Takes an interdisciplinary perspective - includes contributions from
psychologists, philosophers, and neuroscientists.=20
Contents/contributors:
1 Koenderink & van Dorn: Perspectives on colour space
Commentaries:
MacLeod: From physics to perception through colorimetry: a bridge too =
far?
Whittle: Colorimetry fortified
2 Webster: Light adaptation, contrast adaptation, and human colour =
vision
Commentary:
Faul: Adaptation and the ambiguity of response measures with respect to
internal structure
3 Whittle: Contrast colours
Commentaries:
Webster: A background to colour vision
Irtel: Contrast coding and what else?
4 D'Zmura: Colour and the processing of chromatic information
Commentary:
Maloney: The processing of chromatic information
5 MacLeod & von der Twer: The pleistochrome: optimal opponent codes for
natural colours
Commentary:
Webster: Thinking outside the black box
6 Hatfield: Objectivity and subjectivity revisited: colour as a
psychobiological property
Commentary:
Whittle: Why is this game still being played?
7 MacLeod & Golz: A computational analysis of colour constancy
Commentary:
Maloney: The importance of realistic models of surface and light in the
study of human colour vision
8 Brown: Backgrounds and illuminants: the yin and yang of colour =
constancy
Commentaries:
Hoffman: Colour construction
Maloney: Fitting linear models to data
9 Maloney: Surface colour perception and environmental constraints
Commentaries:
Hatfield: On the function of colour vision
Jacob: Intrinsic colours - and what it is like to see them
10 Brainard, Kraft & Longere: Colour constancy: developing empirical =
tests
of computational models
Commentaries:
Maloney: Surface colour perception and its environments
Ekroll & Golz: Comparing the behaviour of machine vision algorithms and
human observers
11 Maloney & Yang: The illuminant estimation hypothesis and surface =
colour
perception
Commentary:
Brainard: Surface colour appearance in nearly natural images
12 Hoffman: The interaction of colour and motion
Commentary:
Brown: The interaction of perceived colour and perceived motion
13 Mausfeld: 'Colour' as part of the format of different perceptual
primitives: The dual coding of colour
Commentaries:
MacLeod: Phenomenology and mechanism
Hoffman: An internalist account of colour
14 Gilchrist: The importance of errors in perception
15 Schwartz: Avoiding errors about error
Commentaries:
Gilchrist: Deconstructing the concept of error?
Whittle: Talking across the divide
Brown: On the veridicality of lightness perception
16 McLaughlin: The place of colour in nature
Commentaries:
Atherton: Asking about the nature of colour
Whittle: Who dictates what is real
Index
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<DIV><STRONG><FONT size=3D4>COLOUR PERCEPTION - MIND AND THE PHYSICAL=20
WORLD<BR></FONT><BR></STRONG>Edited by Rainer Mausfeld, University of =
Kiel,=20
Germany, </DIV>
<DIV>and Dieter Heyer, University of Halle-Wittenberg,=20
Germany<BR><BR>Price: $ 110.00 EURO=20
93.00 (Hardback)<BR>0-19-850500-0<BR>Publication date: =
6=20
November 2003<BR>522 pages, 240mm x 168mm<BR><STRONG>Oxford University=20
Press</STRONG></DIV><FONT face=3DArial size=3D2></FONT>
<DIV><BR>A state of the art review of the field of colour and colour=20
perception.<BR>Takes an interdisciplinary perspective - includes =
contributions=20
from<BR>psychologists, philosophers, and neuroscientists. </DIV>
<DIV><BR>Contents/contributors:<BR><BR>1 <STRONG>Koenderink & van=20
Dorn</STRONG>: Perspectives on colour space<BR>Commentaries:<BR>MacLeod: =
From=20
physics to perception through colorimetry: a bridge too far?<BR>Whittle: =
Colorimetry fortified<BR><BR>2 <STRONG>Webster:</STRONG> Light =
adaptation,=20
contrast adaptation, and human colour vision<BR>Commentary:<BR>Faul: =
Adaptation=20
and the ambiguity of response measures with respect to<BR>internal=20
structure<BR><BR>3 <STRONG>Whittle:</STRONG> Contrast=20
colours<BR>Commentaries:<BR>Webster: A background to colour =
vision<BR>Irtel:=20
Contrast coding and what else?<BR><BR>4 <STRONG>D'Zmura:</STRONG> Colour =
and the=20
processing of chromatic information<BR>Commentary:<BR>Maloney: The =
processing of=20
chromatic information<BR><BR>5 <STRONG>MacLeod & von der =
Twer</STRONG>: The=20
pleistochrome: optimal opponent codes for<BR>natural=20
colours<BR>Commentary:<BR>Webster: Thinking outside the black =
box<BR><BR>6=20
<STRONG>Hatfield:</STRONG> Objectivity and subjectivity revisited: =
colour as=20
a<BR>psychobiological property<BR>Commentary:<BR>Whittle: Why is this =
game still=20
being played?<BR><BR>7 <STRONG>MacLeod & Golz</STRONG>: A =
computational=20
analysis of colour constancy<BR>Commentary:<BR>Maloney: The importance =
of=20
realistic models of surface and light in the<BR>study of human colour=20
vision<BR><BR>8 <STRONG>Brown:</STRONG> Backgrounds and illuminants: the =
yin and=20
yang of colour constancy<BR>Commentaries:<BR>Hoffman: Colour=20
construction<BR>Maloney: Fitting linear models to data<BR><BR>9=20
<STRONG>Maloney:</STRONG> Surface colour perception and environmental=20
constraints<BR>Commentaries:<BR>Hatfield: On the function of colour=20
vision<BR>Jacob: Intrinsic colours - and what it is like to see =
them<BR><BR>10=20
<STRONG>Brainard, Kraft & Longere</STRONG>: Colour constancy: =
developing=20
empirical tests<BR>of computational models<BR>Commentaries:<BR>Maloney: =
Surface=20
colour perception and its environments<BR>Ekroll & Golz: Comparing =
the=20
behaviour of machine vision algorithms and<BR>human observers<BR><BR>11=20
<STRONG>Maloney & Yang</STRONG>: The illuminant estimation =
hypothesis and=20
surface colour<BR>perception<BR>Commentary:<BR>Brainard: Surface colour=20
appearance in nearly natural images<BR><BR>12 <STRONG>Hoffman:</STRONG> =
The=20
interaction of colour and motion<BR>Commentary:<BR>Brown: The =
interaction of=20
perceived colour and perceived motion<BR><BR>13<STRONG> =
Mausfeld</STRONG>:=20
'Colour' as part of the format of different perceptual<BR>primitives: =
The dual=20
coding of colour<BR>Commentaries:<BR>MacLeod: Phenomenology and=20
mechanism<BR>Hoffman: An internalist account of colour<BR><BR>14=20
<STRONG>Gilchrist:</STRONG> The importance of errors in=20
perception<BR><BR>15<STRONG> Schwartz</STRONG>: Avoiding errors about=20
error<BR>Commentaries:<BR>Gilchrist: Deconstructing the concept of=20
error?<BR>Whittle: Talking across the divide<BR>Brown: On the =
veridicality of=20
lightness perception<BR><BR>16 <STRONG>McLaughlin:</STRONG> The place of =
colour=20
in nature<BR>Commentaries:<BR>Atherton: Asking about the nature of=20
colour<BR>Whittle: Who dictates what is=20
real<BR><BR>Index<BR></DIV></DIV></BODY></HTML>
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